In the Galleries: Sara Dittrich
By Mark Jenkins
Basically, “Score for Room” is a huge kick drum. But Sara Dittrich’s instrument/installation at Washington Project for the Arts is best played by multiple performers, so gallerygoers who want to experience it fully should go with a crowd.
The Baltimore artist has covered the floor with musical staff paper, part of which conceals sensors connected to a guitar amp. Pressure on the surface yields percussive sounds, and multiple feet produce more complex patterns. While making noise, walkers and dancers also dirty and tear the paper.
Dittrich’s piece — and its use of chance, electronics and destruction — follows a long tradition that includes musique concrète and John Cage’s compositions for radios and gramophones. The show’s final act will exemplify that. At 7 p.m. Feb. 11, Baltimore-Washington musician Benjamin Buchanan will interpret the musical score that has been written inadvertently by rips and scuff marks.
Find the full article and other local gallery reviews here.
February 3, 2017